This conference aims to critically investigate the relationship between photography and politics as well as the politics of the medium itself. We invite proposals for 30 minute presentations 20 minutes presentation and 10 minutes for discussion from various disciplines, such as: photography, art history and theory, visual sociology, anthropology, museology, philosophy, ethnography, cultural studies, visual and media studies, communications, and fine and graphic arts. These should present an in depth investigation of the relationship between photography and politics and the politics of the photographic practice historically, philosophically or through specific case studies. Submitted proposals for presentations should address, but are not limited to one of the following: to propose a paper please send a 400 word excluding references abstract no later than june 7, 2014 to [email protected]. For the purposes of blind refereeing, full name of each author with current affiliation and full contact details address, email, phone , title of presentation, and a short biographical note 200 words should be supplied on a separate document. Deadline for late registration: november 28, 2014 conference: december 5 7, 2014 submitted proposals will go through blind peer reviewing and authors will be notified of the acceptance of their proposals by august 20, 2014. Dr yiannis toumazis, chair, frederick university cyprus, nicosia municipal arts centre and pierides foundation, cyprus nicholas constantinou, association of teachers of photography in secondary education, cyprus prof.

Pam meecham, institute of education, university of london find out about current and forthcoming news, events and opportunities. This page lists conferences, calls for papers, exhibition announcements and other items of interest. For jobs, fellowships and funding opportunities, see our jobs amp opportunities page. A high traffic mailing list featuring conference announcements, job postings etc.

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We can list news, events or opportunities on our site, free of charge, just complete and return a website notice form or email us with 'news and events' as the subject title. Into the arts offers a valuable space for discussion about the importance of widening participation in the arts. The conference provides a platform for school and college tutors, university lecturers, academics, members of community and industrial organisations and of course students to explore the relationship between the arts and education today the university of texas at san antonio is pleased to host the mid america college art association conference, october 22 25, 2014.

Programming will include featured speakers, panel presentations in art, design, and art history, as well as a macaa membership exhibition. San antonio offers visitors a rich and resonant blend of cultural histories and a dynamic contemporary arts scene. Since the 1930s, the mid america college art association has provided a forum for the artist/teachers of america to discuss and debate the issues of our profession, to share ideas and information of mutual benefit and to affirm the friendships and collegiality that bind us together. Jaskot, nicola courtright, and anne collins goodyear. the thirty fourth world congress of art history, organized by the comité international d’histoire de l’art ciha , will take place september 15–22, 2016, in beijing, china. Ciha is a once every four year opportunity to bring the world’s art historians together in what is truly a global exchange of ideas, new approaches, and innovations in all areas of the discipline. As the american affiliate to ciha, the national committee of the historians of art ncha , a group with strong institutional ties to caa, is happy to encourage any and all interested art historians to get involved. Now is the time to consider applying for one of the twenty one sections that oversee the creation of specific panels for the upcoming conference.

Ciha traces its roots back to the 1930s, when it was officially founded at the brussels congress. The organization has now vastly exceeded its original euro american emphasis and currently has national chapters on all the continents. In addition to the international gathering held every four years, ciha also sponsors specific thematic art history conferences such as the upcoming new worlds: frontiers, inclusion, utopias in rio de janeiro, brazil august 25–29, 2015. From there, a range of sessions will cover such topics as connecting art histories and world art, media and visuality, display, and commodity and markets, to name just a few of the twenty one different session topics. Each session is cochaired by an international scholar as well as a scholar based in china. All papers will be simultaneously translated into chinese, english, french, and german. As with the last ciha in nuremberg, germany, it promises to be an exciting event full of international exchange and chances to explore art and architecture in beijing and beyond.

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Ncha hopes that caa will be well represented and encourages all art historians to consider submitting a paper by the june 30, 2015, deadline. Ncha was founded to foster participation of us scholars in the international committee, its conference, and other programs. As part of this charge, ncha regularly provides travel support for us graduate students to the ciha meetings and will do so again for china. In addition to sending young scholars to the quadrennial conference, ncha, with generous funding from the getty foundation, also initiated a reverse exchange when it began to bring international scholars from africa, asia, south america, and central europe to the caa annual conference to promote international exchange in the united states as well. That initial effort continues to be a regular part of the caa conference, now coordinated by caa and its international committee with participation of ncha members. the deadline to propose a poster session passed on friday, may 8, 2015. caa invites individual members to submit abstracts for poster sessions at the 104th annual conference, taking place february 3–6, 2016, in washington, dc.

Poster sessions presentations displayed on bulletin boards by an individual for small groups usually include a brief narrative paper mixed with illustrations, tables, graphs, and similar presentation formats. The poster display can intelligently and concisely communicate the essence of the presenter’s research, synthesizing its main ideas and directions. Colorado state university has published useful general information on poster sessions. Poster sessions offer excellent opportunities for extended informal discussion and conversation focused on topics of scholarly or pedagogical research.

Posters are displayed for the duration of the conference, so that interested persons can view the work even when the presenters are not physically present. Poster sessions take place in a high traffic area, in close proximity to the book and trade fair and conference rooms. Proposals for poster sessions must include the following: title of poster session summary of project, not to exceed 250 words name of presenter s , affiliation s , and caa member number s a two page cv complete mailing address and telephone number email address proposals are due by friday, may 8, 2015 the same deadline as the regular call for papers for the 2016 conference. A working group of the annual conference committee selects poster sessions based on individual merit and space availability at the conference. Displays must be assembled by 1 am on thursday, february 4, and cleared by pm on saturday, february 6. Live presentations last ninety minutes and are scheduled during the lunch breaks on thursday and friday, 1– pm. During this time, presenters stand by their poster displays while others view the presentation and interact with the presenters.

Caa assigns presenters one freestanding bulletin board about 4 x 8 feet of display space onto which they can affix their poster display and other materials, as well as a table to place materials such as handouts or a sign up sheet to record the names and addresses of attendees who want to receive more information. Caa also provides pushpins or thumbtacks to attach components to the bulletin board on the day of installation. Each display should include the title of the presentation 104 point size and the name of the presenter s and his or her affiliation s 72 point size. No electrical support is available in the poster session area you must have your own source of power e.g. For more information about proposals of poster sessions for the 2016 annual conference, please contact lauren stark. The 2016 call for participation for the 104th annual conference, taking place february 3–6, 2016, in washington, dc, describes many of next year’s programs sessions. Caa and the session chairs invite your participation: please follow the instructions in the booklet to submit a proposal for a paper or presentation.

This publication also includes a call for poster session proposals and describes the open format sessions. Listing more than one hundred panels, the 2016 call for participation is only available as a pdf download caa will not mail hard copies of this twenty four page document. The deadline for proposals of papers and presentations for the dc conference is friday, may 8, 2015. In addition to dozens of wide ranging panels on art history, studio art, contemporary issues, and professional and educational practices, caa conference attendees can expect participation from many area schools, museums, galleries, and other institutions.

The washington marriott wardman park is the conference headquarters, holding most sessions, career services, the book and trade fair, artspace, special events, and more. deadline: friday, may 8, 2015. for more information about proposals of papers and presentations for the 2016 annual conference, please contact lauren stark. Khan academy ’s mission is a free world class education for anyone, anywhere, and the site has ten million unique visitors each month. During the past year, the art history content alone was visited by every country in the world, save three, and khan anticipates that this material will reach more than four million visitors during the fall 2014 semester.

Khan academy is a not for profit organization whose content is free and free of advertising. Smarthistory at khan academy seeks to bring the expertise of individual scholars and curators to a new global audience. And thanks to the nearly one hundred contributors that claimed topics and submitted essays during their first call in october 2013, smarthistory has published close to ninety new essays. To get a sense of their vision, read steven zucker and beth harris’s recent post on the blog for aam’s center for the future of museums.