Definition Essay on Romantic Love Text

Jonathan Friesen - Writing Coach

Marriage expert romantic love is when the chemicals in your brain kick in and you feel an emotional high, exhilaration, passion, and elation when you and your lover are together. Many who are in the midst of romantic love want to be with their lover all the time and can overlook faults, conflict, and abuse. The scientific articles that we have read concerning infatuation report that most individuals can not sustain that type of emotional high for an extended period of time such as years and years. A person will realize that the infatuation/romantic love phase of their relationship is declining/wearing off when a sense of disillusionment sets in. Spouses may become more critical of one another, become easily irritated at things that didn 39 t bother them earlier in their relationship, have less patience with each other, and could be indifferent to the wants and feelings of each other. Not bailing out and communicating dreams, desires, thoughts, and feelings with one another can lead to the wonderful stage of mature love. also known as: honeymoon phase, puppy love, sexual love, having a crush, infatuation, limerence the ending of the five year marriage of tom cruise and katie holmes was expected when katie said they would always be in the honeymoon phase of their marriage.

A definition essay is the paper that explains the meaning of a certain term. There are such things that have a concrete meaning like a table, a house, or a book. However, there are some abstract concepts like morality, love, and honesty that gain a special meaning that is individual to every person. There are three steps to create an effective definition: name the term that is being defined. When you choose a definition, you need to understand the term in details before you explain it to your audience.

It is very important to find some background information and articulate your opinion about the object. You can read the definition in the dictionary, but do not just copy and paste it. To write a definition essay on this topic, you may limit the wide concept, writing about romantic love, love of country, love of the beauty and art, etc. If all this sounds tedious to you, then why not just order an essay from samedaysessay? our writers are perfectly aware of all the basics of writing all types of essays, including extended definition essays and many many more.

It is hard to give an effective essay definition when it comes to those essays that are intended to define something in turn. Remember, when writing a definition essay, you should tell your audience what exactly you are up to explain and to present a basic definition of the concept. You need to use some facts from books or scholar articles, and examples that would be clear for the readers. Below you can check out some potential topics for your definition essay: as you can see, it is important to use some imagination when you create such an essay. The subject you choose must be familiar and interesting to you, unless you would be unable to cover a topic. No matter what you are going to define, you can always ask for the help of our academic writers, and they will make your life easier.

A personal essay is an autobiographical nonfiction that is also called a personal statement. Writing a personal essay, you are up to compose a description of yourself, your skills, your character, and overall your personality. Looking for examples of different kinds of essays in the web, you must have seen a great many of descriptions, like analytical essay definition, narrative essay definition, argumentative essay definition, etc. Exploring a great many of them, you must have felt some problems with understanding all of them.

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There are so many of them, and they are so different that your head might be spinning. Indeed, social psychology textbooks talk a great deal about the factors that impact relationship formation proximity, familiarity, shared attitudes etc , but they typically do not have a lot to say about romantic love as something separate from platonic friendships. But perhaps underneath the mystical, maybe even mythical, glow of loves fa ade, there is something that we can articulate and talk about meaningfully. And perhaps understanding romantic love empowers us rather than corrupting love through deliberate exploration. This is a story about romantic love from four different intertwined perspectives: fairy tales, jungian psychology, collected interviews, and biology. This is a story about what four different perspectives can tell us about romantic love. It makes the most sense to begin with a clarification of terminology what do we mean by romantic love? almost 3 decades ago, in 1978, elaine hatfield wrote a seminal book on the topic of love teasing apart passionate and companionate love.

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She defined passionate love as a state of intense longing for union with another and companionate love as the affection we feel for those with whom our lives are deeply entwined. Around the same time, dorothy tennov was trying to answer the same question in her book love and limerence and, similar to hatfield, quickly differentiated between the love that is sincere concern and caring as opposed to the love that is fiery, euphoric and ephemeral. But tennov realized that there is something more irrational and complex about this latter kind of love than what hatfield described. Tennov coined the term limerence for the latter so as to be able to discuss it as a concept separate from love. She noted that love is an emotion that is acted on, while limerence is more of a transformed state that people go into the difference in the proverbial i love you, but im not in love with you.

23 the central paradox of limerence is that someone who is actively limerent feels like they are experiencing the most unique, rapturous experience in the world even though limerence seems to have fairly universal characteristics at least in western cultures, although it could be argued that traditional asian cultures do understand limerence but don't use it as a basis for marriage. In fact, as tennov noted, there is a very well rehearsed cultural script for falling in and out of limerence: the initial buoyancy, the ensuing anxiety and self consciousness, intense distraction and euphoria, usually followed by a devastating disillusionment. And one reason why we know this script so well is because weve been hearing about it since we were children.

We have all gone to bed as a child with the freshly told fairy tale story still bubbling in our mind. Marcia lieberman has criticized fairy tales as conditioning girls into becoming submissive women who believe that beauty and docility are the only traits that are rewarded in life, but in her essay some day my prince will come, she also points out something very interesting about romantic love itself. Most fairy tales end with the happily ever after clause, but these same fairy tales almost always have the protagonist come from a broken family. These fairy tales imply that romantic love leads to happy marriages and yet all the families that they portray are broken. The paradox of love in fairy tales is that everyone ends up happily ever after, but no one seems to be happy.

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What does it mean to grow up with stories with such a strange juxtaposition of what romantic love is? but in fact, these symbols and themes still surround us as adults. The prince and princess merely change forms and show up on tv sitcoms, movies and fill the roles in novels, plays and even songs. In his book we: understanding the psychology of romantic love, robert johnson shows how we grow up to believe in the irrational assumptions of the fairy tale script of romantic love. As a jungian analyst, robert johnson is interested in exploring the cultural archetype of romantic love to uncover its psychological essence and meaning. Like tennov, he differentiates romantic love from sincere love romantic love is not love but a complex of attitudes about love involuntary feelings, ideals, and reactions pg. Johnson points out a central ideal of love that tennov doesnt emphasize and it is this: when we are in love we feel completed, as though a missing part of ourselves had been returned to us we feel uplifted, as though we were suddenly raised above the level of the ordinary world. 52 for johnson, romantic love is a kind of primal religious experience both revelation and rapture that is a fundamental part of our collective unconsciousness.

The tragedy of our cultural understanding of romantic love is that it makes us place unreasonable demands on our romantic partners because we believe that they have the responsibility for making our lives whole making our lives meaningful, intense, and ecstatic pg. The cause of the problem is that when we are in love, we become entranced, mesmerized with a mystical vision but of something separate and distinct from our human selves pg. For johnson, the paradox of romantic love is that it never produces human relationships as long as it stays romantic pg. 133 because we are in love with our own fantastical creations instead of the other person for who they really are.

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More tragically, we assume that the single ingredient that we need for relationship is romance pg. 103 and that a relationship without this heady, fiery kind of love has very little worth to the point where if a direct, uncomplicated, simple relationship offers us happiness, we wont accept it pg. The tragedy derives from the simple fact that romantic love always fades, and most people do not know how to derive a sincere, human relationship from one that is fantastical and rapturous. And if they learned anything from fairy tales, they learned that a relationship without romantic love is worthless. All their lives, they have had a vision of what love would be, and they now believe that their true love must then still be out there waiting for them. Many people are stuck forever in this wash and rinse cycle of romantic love because they believe that fiery romantic love can be everlasting. The romantic couples who have been together for half their lives have something quite different from romantic love.

Johnson calls it stirring the oatmeal love it represents a willingness to share ordinary human life, to find meaning in the simple, unromantic tasks to find the relatedness, the value, the beauty, in the simple and ordinary things, not to eternally demand a cosmic drama or an extraordinary intensity in everything pg. In a strange way, this is true love because it can be everlasting, but this is not the love script that we are bombarded with from every literary or entertainment form in our lives. Yet if romantic love or limerence is so destructive and irrational, why does it happen at all? tennov briefly ponders the possible biological underpinnings of limerence in her book.