essay titles from previous terms / years including details of creative writing project: 1st assessed essay. You are free to come up with a title of your own so long as it rsquo s discussed with and approved by me by the end of week 10 of the autumn term. Lsquo this exaggerated sense of duty has always made life more difficult for me than it need have been. How successfully is military psychology communicated in literature of the second world war? it has been argued that in the way he selects his main witnesses, john hersey in hiroshima gives an essentially western and therefore imperialist account of the events described. Assess the implications of this and/or other authorial / narrative choices in second world war texts. Lsquo i looked up at the trees, and the trees hadn rsquo t given me any warning hellip.

A while back the trees were german and here the trees are french, according to my travelling companions. Rsquo j.p.stern, lsquo g nter grass rsquo s uniqueness rsquo , in patrick o rsquo neill, ed. Discuss the tin drum and / or any other work s in the light of this account. It is often said that biographical information about an author is irrelevant to, and may even distort, the impact his or her work. Consider this view in relation to g nter grass rsquo s early nazism, ir ne n mirovsky rsquo s fate in the holocaust, and/or any other lsquo extra literary rsquo facts connected to work of this period.

A contemporary reviewer of put out more flags wrote, lsquo in its rendering of those to whom the nation has to look for orders and guidance this book would be mischievous, but that it is unlikely to impress readers whose value to the community would be reduced by accepting its implications. How far and in what ways do you see responsibility as a criterion for judging second world war texts? discuss the uses ndash which may be symbolic as well as narrative ndash made of any one of the following in literature of this period: enemy occupation growing up imprisonment family. Compare and contrast an lsquo epic rsquo treatment of the war with a briefer, more localized, more lyrical and/or individualist one in such a way as to bring out the qualities and / or problematic aspects of both. It has been suggested that lsquo the experiences of disturbed subjectivity and displacement rsquo recounted by many second world war writers are rsquo simply a version of a universal malaise.

Rsquo on the other hand, it has been argued particularly about factual narratives written by women that this view is unjust to lsquo the historical specificities which are at the core rsquo of second world war literature. Compare any fictional work set in this period with a more lsquo objective rsquo historical study of the same episode. Write about any two works to which an important difference has been made by circumstances of composition and / or publication. Discuss in detail the english translation of any work set in this period, by comparison with the original. Compare any work set in this period with one describing a different war, in such a way as to bring out both the similarities and the differences between them, as well as the literary merits of both. Discuss how literature of the second world war deals with one of the following, and in what ways the subject is particularly intensified by the wartime context and vice versa: imperialism friendship buildings time jokes old age escapism.

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Lsquo simply repeatedly plain, the truth, over and over again rsquo henry green, caught . How adequate is this as description of green rsquo s own method, and/or that of any other writer of this period, in dealing with the second world war? 2. Do you see the truce as describing a form of truce, among other things, between primo levi and the experiences he recounts in if this is a man ? 3. Lsquo what woke me up was either the nearby machine gun fire or the distant roar of the salvos from the double turrets of the battle ships in the free port.

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Might it not just as well have been a shower, a hailstorm, the approach of a late summer storm hellip.? rsquo g nter grass, the tin drum. Lsquo the polish post office rsquo how does literature of the second world war deal with the gap between the experiences of warfare and the language available to communicate them? 4. Discuss the uses and the problems of the term lsquo authenticity rsquo in relation to writing set in the second world war.

You rsquo ve something to say, but you rsquo re not very concerned about the way in which you say it. Discuss the blood of others and/or any other work dealing with the second world war in the light of these words. Discuss the ways in which one of the following is treated in works you have read, and how it is used to make wider points about in the second world war: gardens and gardening rituals and ceremonies books inter generational relationships. Lsquo you should write the war and peace of physics rsquo lyudmila to viktor, in life and fate. Discuss how scientific ideas and/or discoveries are dealt with in literature of this period. Discuss the relation of narrative structure and/or length and/or time scheme to the meaning and impact of second world war fiction.

Vasily grossman described lsquo the poetry of prose rsquo as lsquo the highest poetry of all rsquo life and fate. Lsquo of van wettering i speak, and averill, / names on a list rsquo richard eberhart, lsquo the fury of aerial bombardment rsquo . How does literature set in this period deal with the gap between individual identity and mass mobilization? 5. Discuss the idea that the further authors and readers are from first hand experience of the second world war, the more oblique and/or experimental writing about the subject becomes. How far can these words be seen as a manifesto for writing of the second world war? 7. Write about how literature of the second world war can be seen as lsquo relevant rsquo to a subsequent conflict.

Lsquo as i write, highly civilized human beings are flying overhead, trying to kill me. How does literature of the second world war deal with the paradoxical relationship between lsquo civilized values rsquo and warfare? 2. Rsquo rdquo i don rsquo t want to stay in an unjustifiable situation all my life. Rdquo ldquo do you think there are any justifiable situations? rdquo rsquo jean and marcel in simone de beauvoir rsquo s the blood of others . Discuss the implications of this exchange in relation to the blood of others and/or other texts concerned with the second world war. How helpful is it to read the tin drum and/or any other texts set in the second world war in the light of bertolt brecht rsquo s concept of the lsquo alienation effect rsquo verfremdungseffekt ? 4. Many writers have been concerned about the idea that fascism can be overcome only by using its own methods.

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Hellip discuss the ways in which readings of any two or three texts set in the second world war are influenced by their titles. Lsquo everything in nature is balanced, there is no offence without a defence, every poison has its antidote rsquo. Consider if this is a man and the truce in the light of these words of primo levi rsquo s. Discuss put out more flags either in relation to some of evelyn waugh rsquo s other novels set in the second world war, or to other writing set in the war rsquo s early stages. Are there any heroes in the second world war texts you have read? argue the case for seeing two or three characters in this way, and discuss how the concept of heroism is dealt with more broadly in the books they are found in.

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Discuss the ways in which one of the following is treated in works you have read, and how it is used to make wider points about in the second world war: house and home lying childhood and/or adolescence pregnancy language social class comedy fact vs. Discuss how the issues raised in primo levi rsquo s title are treated in any two or more works set in the second world war. Is it true that the second world war as a subject is incompatible with artistic experimentation? your answer should involve at least one literary work but may also refer to other forms. Keith douglas wrote, lsquo there is nothing new, from a soldier rsquo s point of view, about this war except its mobile character rsquo. Discuss the implications of this mobility for literature of the second world war. Compare the ways in which a particular aspect of the second world war is treated in one of the set texts with its use in another work or works, whether by the same author or someone else.

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Lsquo other books about the war have gone straight for the conventional ndash the battle. He, too, can negligently turn out a battle, but his interest is, fundamentally, the moralist rsquo s. His eye is trained on the flat detail of human folly, vanity and hypocrisy and although he can rightly be called a wounded romantic, he is a most patient and accurate observer. Rsquo discuss v.s.pritchett rsquo s view of evelyn waugh, or apply it to any other writer whom you think it fits. Much writing about war explicitly or implicitly attacks lsquo literary rsquo , lsquo artistic rsquo values. Discuss how questions of politics which may include sexual politics are addressed in any two works set in this period.